Saturday evening I ventured West for Cleveland Public Theater's staging of Christopher Durang's Why Torture is Wrong and the People Who Love Them.
It wasn't as funny as I hoped--or perhaps I should say that the audience wasn't as uproarious as I hoped, but it is one of the funnier things I have seen recently. It seemed quite obviously a parody of the present situation, but it felt like it had its wings clipped before it made its way over the top. Had this happened, I may have been rolling on the floor. The actors didn't really feel like they were selling their characters (notable exception "Voice")--Save for the last scene in the fine dining establishment known as "Hooters".
Aside from the entertainment value it does force some introspection on where we as a country are with regard to national security, trigger happiness, et. al.
While a tangential line that had nothing to do with the plot, early on the mother makes a comment about some her friends committing suicide ("willing their hearts to stop beating") after three evenings in a row of Tom Stoppard plays. I may have been the only person laughing at that line, but having suffered through two Stoppard plays a month and a 3-hour flight apart, I can only imagine doing the same thing myself if I were to do two, much less three in as many nights.
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