Giuliano: Rossiniana No. 3
Scarlatti: Sonatas K.490, K.491
Granados: Valses Poeticos
J.S. Bach: Partita I, BVW 1002
Albeniz: Capricho Catalan
Albeniz: Granada
Albeniz: Asturias
Scarlatti: Sonatas K.490, K.491
Granados: Valses Poeticos
J.S. Bach: Partita I, BVW 1002
Albeniz: Capricho Catalan
Albeniz: Granada
Albeniz: Asturias
Two encores, unannounced.
David Russell, guitar
At Plymouth Church UCC, Shaker Heights.
David Russell, guitar
At Plymouth Church UCC, Shaker Heights.
Tonight's concert marks the last in Cleveland Classical Guitar Society's fifth season. Despite less than favorable weather and the possible competition for audience from a Cleveland Orchestra concert a few miles away -- Grammy-winning guitarist David Russell played a wonderful concert to a nearly sold-out audience.
Inspired by the arias of Mauro Giuliani's Rossiniana No. 3 opened the concert with crisp sounds and despite some drama the result was soothing and tranquil. Mr. Russell introduced the second piece by noting that the inspiration was a Spanish practice around Easter of processing a statute of the Virgin Mary through the village -- and Domenico Scarlatti's Sonatas had the feeling of a respectful procession with occasional hints of tributes. Closing out the first half of the program, Enrique Granados's Valses Poeticos -- said to be inspired by unknown poetry and consists of 8 waltzes -- while delightful to listen to, I can't say that I really heard waltzes.
Following intermission, Mr. Russell's transcription of Bach's Partita I, with doubles captivated the audience -- and again was delightfully relaxing to listen to, I didn't find the music to particularly evoke the feeling of dance.
The final pieces on the program wee composed by Issac Albeniz and brought a brighter feeling and a bit more lively mood than those preceding. Capricho Catalan had a slightly haunting air and made me think about wandering through unknown neighborhoods after dark. Granada, on the other hand, made me think of having drinks with friends in a neighborhood bar -- very even-keeled but with occasional surprises and exclamations, and meandering through the stories of friends. Finally, Asturias was fast and lively with musical exclamation points.
The concert concluded with two unannounced encores dedicated to his Producers, Sound Engineer, and Editor for his CDs.
Season tickets for Cleveland Classical Guitar Society's 6th season are available now.
Lincoln
No comments:
Post a Comment